Gone with the Wind (USA 1939, Victor Fleming) is one of the most famous Technicolor films. It is highly sophisticated both through regard to its shade scheme and the subtle usage of light and also shadows.

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Comparison of two prints: a safety print from the Academy movie Archive, and a 1940 nitrate print from the Library that Congress.

Credit: images courtesy of the Academy film Archive and also Library of Congress. Photographs by Barbara Flueckiger.

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Contemporary Reception:

Anonymous (1939): Gone through the Wind among Industry’s Sensations. In: Boxoffice, 36,4, Dec., p. 16. View QuoteFull text on the Media background Digital Library website. See Link

Anonymous (1940): The shadow Stage. A review of the brand-new Pictures. Gone through the Wind. In: Photoplay, LIV,2, Feb., top top p. 62. See Quote

Flinn Sr., john C. (1939): Gone with the Wind. In: Variety, 19 December 1939. View QuoteFull message on the Variety website. View Link

Nugent, candid S. (1939): The display screen in Review. David Selznick’s Gone v the Wind has actually Its Long-Awaited Premiere at Astor and also Capitol, Recalling polite War and Plantation work of South. Viewed as Treating book With great Fidelity. In: The new York Times, 20 December 1939, p. 31. Watch QuoteFull message on The brand-new York Times website. See Link

Weaver, wilhelm R. (1939): Showmen’s Reviews. Gone through the Wind. In: Motion snapshot Herald, 137,11, Dec., p. 24. See QuoteFull text on the Media background Digital Library website. Check out Link

Selected Analyses:

Higgins, Scott (2007): Harnessing the Technicolor Rainbow. Color design in the 1930s. Austin: university of Texas Press, ~ above pp. 9-10 see Quote and on pp. 174-207. See Quote

Production Reports:

Basten, Fred E. (1980): Glorious Technicolor. The Movies’ Magic Rainbow. South Brunswick: Barnes, ~ above pp. 98–99. See Quote

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Credit: image courtesy that the Academy film Archive. Film: Gone with the Wind (USA 1939, Victor Fleming). Picture by Barbara Flueckiger.

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